Orson Welles reputedly said to filmmaker Henry Jaglom that “the enemy of art is the absence of limitation.” Whether Wells actually said this is up for debate, but nevertheless the statement rings true. John Carpenter, like Stanley Kubrick and Welles himself, epitomizes this maxim as a filmmaker, especially with Christine. He removes so much of the unnecessary fluff of King’s novel to get to the heart of the story, which is that an unhealthy obsession can kill us all. No object of desire, whether it be inanimate or human, makes us whole. Only our own inner life and the meaningful connections we make with others completes our humanity. Arnie represents the perennially broken soul in post-war America, placating his own limitations through an object of adoration. However, in the end, the adored object obliterates him. The world is not full of spiritual phantoms, but human ones— the refuse of unfulfilled dreams. We don’t need ghosts to make the world scary; it’s haunting enough as it is.
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From left to right: Barry Goldwater, Richard Nixon, and Ronald Reagan. Images from the Boston Globe, Smithsonian Institution, Reuters, and Unsplash.
Short Book Reviews: Rick Perlstein’s History of the American Right
Perlstein weaves together varying strands of historical knowledge, such as economics, foreign policy, cultural trends, and even religious transformations. And as a man of the liberal left, Perlstein pulls no punches with the political order that emerged in the era of his study. Goldwater was a political neophyte; Nixon a calculating bully; and finally Reagan, whose outsized presence in history stands as the culmination of the corporate class’s victory over social democracy in America.
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Photo by Stanislav Kondratiev
Short Book Reviews: Science and Society
While many of my book reviews have been longer essays published on my blog or episodes of my podcast, Red Reviews, I also write shorter book reviews for social media. These appear mostly on Instagram, as it is the social media platform I primarily use and it has a longer character limit for captions than, say, Threads or Twitter. Instagram’s 2,200 character limit for captions requires you to be concise and clear, and I enjoy the challenge to keep my posts within that character limit. It’s actually a lot of fun to write a quick review that is informative as well as indicative of my opinion. This blog post will be the first in a series of blog posts where I will share a few reviews that are connected by a common theme, along with photographs of the books as they appeared on Instagram.
This first set of reviews are tied together under the theme of “science and society,” which highlights books that employ science and/or philosophy to expound on social issues. From Bertrand Russell’s argument for a four-hour workday to Christopher Lasch’s conception of a “minimal self,” each of these books provide provocative insights into the human condition.
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